What are the prerequisites?

You must have taken at least one beginning wheel class (with Black Hound or elsewhere) and be comfortable with basic centering and trimming.

Is clay and firing included?

Yes — tuition includes 25 pounds of clay, glazes, tools, and firing; additional clay can be purchased.

What is the age minimum?

Students must be at least 16 years old to enroll in this class.

How many students are in each class?

Class size is limited to 10 participants to keep instruction focused and hands-on.

How do I get my finished pieces?

Fired and glazed work is kept at the studio for pick-up; timing varies with kiln schedules—ask staff at south@blackhoundclay.com for specifics.

Wheelthrowing 102 at Black Hound Clay South: Master Taller, Thinner Forms in Philly

Q: Is the studio accessible?

Yes — the front classroom at 1701 Federal Street is wheelchair accessible and serves as the check-in point.

Wheelthrowing 102 meets in South Philadelphia at Black Hound Clay Studio South, located at 1701 Federal Street. Over eight Tuesday evenings students gather in the studio's front classroom to push basic wheel skills toward taller, thinner, and more consistent forms. Instructor Marley Massey Parsons guides lifts, shaping, trimming, surface design, and attachments, helping each student work toward a matched set—cups, mugs, bowls, or vases—that demonstrates improved technique.

The studio itself is practical and tactile: rows of electric wheels, stainless-trim tables, shelves of bisque ware, and electric kilns humming in the back. Classes include all instruction plus tools, glazes, firing, and 25 pounds of clay; one free open-studio session is included. The course requires a beginning wheel class as a prerequisite, so participants spend time troubleshooting individual throwing problems rather than learning basic centering for the first time.

Beyond the lesson plan, Wheelthrowing 102 is a way to plug into South Philadelphia's hands-on craft culture. The neighborhood mixes working studios, small bakeries, and street murals; after class you can examine local pottery at nearby galleries or grab coffee at a corner shop and troubleshoot forms with classmates. The accessible front classroom and small group size—ten students—create an environment where instructors can demonstrate, then walk the room to correct posture, trim depth, and lip form.

This class is practical for makers aiming to refine muscle memory and repetition. Expect warm-up throwing exercises, structured feedback, and homework that nudges you toward a cohesive set. Students who commit to consistent attendance will notice measurable improvements in wall thickness, symmetry, and finishing. Technical focus distinguishes this series from looser handbuilding or open-studio time; here the wheelwork is disciplined and iterative.

Wheelthrowing 102 is also useful for potters who want to understand kiln cycles and glazing choices in a studio setting that handles firing for you. Because the studio provides firing, you get to test glaze outcomes and iterate across the eight weeks. If you’re already comfortable on the wheel and want targeted, instructor-led advancement in a welcoming, wheelchair-accessible studio, this class is a direct next step. Bring patience, an old towel, and curiosity—the rest is at the wheel.

Classes meet Tuesday evenings, September 22 through November 10, from 6–9 p.m., giving students a steady rhythm for practice and kiln cycles. The eight-week series accepts up to 10 participants and requires students to be at least 16 years old; the front classroom at 1701 Federal Street is wheelchair accessible and serves as the check-in point. Black Hound Clay South offers installment payment plans for registrants and handles all glazing and firing logistics so you can focus on form. Email [email protected] with specific questions, or visit the studio’s class guide before your first meeting to prep.