Improv 301: The Form in Long Form is an eight-week advanced improv intensive offered in Ann Arbor, Michigan. Designed for experienced improvisers, the course shifts focus from isolated scenes to the architecture of a full, 20–25 minute long-form set, teaching sweep edits, time jumps, and narrative weaving that transform a single suggestion into a cohesive performance. Over eight consecutive weeks you move from mechanics to performance. Early sessions focus on editing and transitions—sweep edits, tag-outs, and organic focus shifts that keep momentum without a host. Mid-term classes train advanced group play: structured openings, synchronized movement and sound, and strategies to lock into a collective premise. Later modules teach multi-thread narrative tracking and callbacks, connecting distant characters and motifs across time. The final weeks are for assembling and polishing a signature long-form structure and rehearsing for a closed technical run and a live graduation showcase under theater lights. What makes this offering stand out in Ann Arbor’s performing arts landscape is its emphasis on ensemble architecture rather than individual gamesmanship. The class mimics processes used by professional companies—Harold, Armando, and Close Quarters among the structures explored—so students learn to think like directors and editors as well as players. The intimate rehearsal space, black-box-style staging, and emphasis on listening create an environment where risk-taking feels supported and the whole room becomes a storytelling instrument. Practical benefits are clear: the course includes $80 in mainstage show tickets and access to performer perks, giving participants a chance to study company work and observe professional edits in action. The cohort model builds repeatable group chemistry, so performers leave not only with new tools but with a network of scene partners ready to continue creating. This class is ideal for improvisers who have completed intermediate training and want to graduate to sustained, theatrical pieces. Students should be ready for vocal endurance, fast creative decisions, and collaborative editing. The curriculum balances drills and play with concrete production practice so the final showcase feels like a genuine theatrical event rather than a workshop exercise. Located in Ann Arbor—home to the University of Michigan and a lively arts scene—this course plugs you into a community that values experimental theatre and ensemble risk. Whether your goal is to join an improv company, run late-night curated shows, or simply stretch your storytelling muscles, Improv 301 offers methodical training, a no-nonsense rehearsal rhythm, and a milestone performance that proves you can shepherd short sparks into a sustained, satisfying long-form show. Classes meet weekly for about 2.5 hours and require participants to be 18 or older. Expect short practice assignments between sessions—watching shows, solo edits, and partner rehearsals—so this is a focused commitment that yields tangible ensemble skills and a polished showcase today.