Photoshop for Graphic Design in London is a focused 6.5-hour workshop that teaches graphic designers how to move confidently between print and web workflows. Held in a classroom on the first floor in London (address details provided at booking), the course walks through resolution, color modes, layers, masks, smart objects, and production-ready exports so you can deliver files that print—and scale—without surprises. From the moment you step into the room, the day reads like a design brief: software settings are checked, typography choices are weighed, and images are prepared with the same precision used by studios that craft posters and packaging. The course highlights practical tools—layer masks versus clipping masks, adjustment layers, smart filters, and blending options—and ties them directly to real deliverables: billboard mock-ups, web banners, and high-quality PDFs with crop marks and bleeds. It’s a studio-style curriculum rather than a scattered tool tour; the emphasis is on producing a finished piece that could sit in a portfolio or be presented to a client. Key features of the learning environment include hands-on projects, step-by-step demonstrations of raster and vector workflows, and a final practical exercise where you combine logos, type, and textures into a single layout. The classroom is on the first floor with no lift—please contact the office if you have accessibility concerns. Participants must be at least 16 and should arrive 5–10 minutes early and ring the PCL doorbell to be let in. What makes this session stand out in London’s busy creative ecology is its pairing of deep technical detail with production-ready output. Instead of abstract filters, you’ll leave knowing when to use RGB versus CMYK, how to prepare TIFF or EPS files for prepress, and how to structure Photoshop files so handoffs to printers or web developers are frictionless. The course reflects London’s long-running design culture, where commercial signage, editorial printing, and digital campaigns all intersect. Expect to work through both conceptual and practical problems, from image resolution and paths to export settings and final file delivery. Bring existing assets if you want to turn a brief into a finished mock-up. There’s an optional certificate of completion for a small fee, and if only one person books the course it may be offered one-to-one. For designers who need a compact, production-focused day to sharpen both craft and deliverables, this class is a high-value, hands-on option in the heart of London. Plan to bring a charged laptop with Photoshop installed, source files, and any brand assets you want to work on; basic Photoshop foundations are required, so beginners should consider the foundation course first. The instructor-led pace suits experienced hobbyists and junior designers, and the structured itinerary keeps the day focused on practical outcomes and deliverables.