Gallery CERO in Longwood, Florida, hosts a focused, two-hour encaustic painting demonstration led by multidisciplinary artist Hazel Griffiths. In a bright studio space, Hazel transforms beeswax, damar resin, and pigment into layered landscapes and luminous underwater reef scenes, revealing a process that is at once ancient and immediate.
Encaustic painting dates back to the Fayum portraits of Roman Egypt, where pigments mixed with hot wax preserved faces for millennia. At Gallery CERO you watch that tradition updated: Hazel melts beeswax with damar resin, applies pigmented layers with palette knives and heated irons, and manipulates surfaces with heat guns, torches, and scraping tools. The result is a physical topography of ridges, translucent veils, and embedded texture that catches light differently from traditional paint.
What makes this demonstration especially valuable for visitors is its tactile visibility. Instead of a static exhibit, guests witness decision-making in real time—how to build translucent skies, how to imply moving water with wax, and how to unify mixed media into a single surface. Hazel often chooses either an abstract landscape or a coral reef scene, showing techniques to suggest depth and atmosphere without relying on dense brushwork.
The session suits artists and curious travelers alike. It’s compact—two hours—yet rich with technique: medium preparation, tool selection, layering strategy, and methods to preserve encaustic surfaces. There’s also a brief historical framing, connecting modern practice to ancient encaustic traditions and to Hazel’s background in oil painting and digital processes.
Gallery CERO’s demonstration is a cultural anchor for daytrippers exploring the Longwood area. It offers a calm, creative pause after hiking or paddling, inviting visitors to consider materiality and light from a maker’s perspective. For collectors, it’s a chance to evaluate technique up close; for students, a live tutorial in studio workflow.
Practical notes: the event is two hours long; bring a notepad and camera (check gallery photo policy). The studio can get warm near heat tools, so light layers are advisable. Tickets often sell out when Hazel is scheduled; booking through the referral link ensures a place in a small, focused group.
By the end you’ll have seen raw organic materials—beeswax and damar—become a luminous surface that holds both memory and motion, and you’ll leave with a new appreciation for a medium whose roots run deep into art history while remaining utterly modern.
Local visitors and tourists will find the demo accessible whether they come alone or in small groups; the format invites questions and brief hands-on moments when permitted by the artist. Buyers can inquire about works in progress. After the demonstration attendees often linger to speak with Hazel about varnishing, framing, and conservation of wax surfaces. Follow Hazel on Instagram at hazelgriffithsart or visit hazelgriffiths.com for upcoming events.