How do I join the waitlist?

Use the waitlist sign-up linked on the booking page; the studio will contact you if a spot opens. Joining the waitlist is not a guarantee of enrollment.

Where is the class held?

This session takes place at Black Hound Clay Studio South: 1701 Federal Street, Philadelphia, PA.

Who is the instructor?

Instructor: Lisa Belsky. The listing notes she leads this Monday afternoon session.

What is the minimum age?

Minimum age for the course is 16 years old.

What should I bring to class?

Bring old clothes, a towel, and a willingness to get hands dirty; a notebook is helpful for notes.

Is kiln firing included?

Kiln firings are managed by the studio schedule; contact South@blackhoundclay.com for specifics on firing and pickup timelines.

Wheelthrowing 102 — South Philadelphia Pottery Class at Black Hound Clay (Waitlist)

Black Hound Clay Studio’s Wheelthrowing 102: Monday Afternoons is an eight-week, instructor-led pottery course in South Philadelphia at Black Hound Clay Studio South, 1701 Federal Street. Running March 30–May 18 with classes Mondays from 1:30 to 4:30 p.m., this listing is for the waitlist; sign up and the studio will contact you if a seat becomes available. Led by instructor Lisa Belsky, Wheelthrowing 102 builds on beginner skills to refine centering, pulling walls, trimming, and basic form development on the wheel. In a studio environment designed for hands-on practice, students work one-on-one with an instructor for demonstration and correction, moving from simple cylinders to functional pieces like bowls and mugs. The class size is intentionally limited to twelve students to maximize individualized feedback and time at the wheel. Practical, skill-focused sessions emphasize muscle memory and technique rather than pure studio production. Expect step-by-step demos, practice time at a wheel, clay wedging stations, and supervised glazing notes; kiln firings are managed by the studio schedule. The course minimum age is 16, and the group limit is twelve. Because this entry is a waitlist rather than a registration, there is no guarantee of placement—email [email protected] with questions. If you secure a spot, bring comfortable, old clothes, a towel, and a willingness to get your hands dirty. Beyond technique, this class offers a different kind of local immersion for travelers who come for Philadelphia’s parks, waterfront trails, and food markets. Black Hound Clay Studio sits in an active South Philly block where brick storefronts and maker spaces meet neighborhood life; the studio’s rhythm provides a calmer, tactile contrast to outdoor routes nearby. Working with clay connects you to material craft traditions that Philadelphia’s maker community has recharged in recent years. Small batches of student work fired and glazed on-site turn lessons into tangible souvenirs—objects that hold the mark of your hands and the memory of time spent learning in a city workshop. Key features of the scene include row-by-row studio wheels, communal wedging tables, shelves of clay and glaze jars, and a studio kiln that turns greenware into finished pieces. Students learn core technical skills—centering, trimming, pulling, and basic glaze application—that translate across ceramic practices. A brief cultural note: community studios like this one helped revive hands-on craft instruction across Philadelphia in recent decades, offering accessible training beyond formal art schools. Sustainable practice is part of studio culture; clay offcuts are recycled into pugging, and water and glaze waste are handled per safety guidelines. For visitors, Wheelthrowing 102 is an active, tactile pause from walking tours and bike rides—book the waitlist to be ready when a slot opens, and plan to spend weekdays in the city practicing a quiet, rewarding craft and grounding focus.