How does the waitlist work?

Joining the waitlist registers your interest; if a spot opens the studio will contact you. Being on the waitlist does not obligate you to accept a spot.

Do I need prior experience?

No—this course is designed for beginners and covers fundamentals from centering to basic glazing.

Is the studio wheelchair accessible?

Yes. The listing notes the space is wheelchair accessible; contact West@blackhoundclay.com with accessibility questions.

What is included with tuition?

Tuition includes instruction, tools, glazes, firing, and 25 pounds of clay plus one free open-studio session.

Can I buy extra clay?

Yes. Additional clay can be purchased through the studio’s website or by inquiry at the studio.

When can I pick up fired pieces?

Kiln schedules vary; the instructor or studio will notify students when pieces are glazed, fired, and ready for pickup.

West Philadelphia Wheelthrowing 101: Weekend Pottery Class with Natalie Avery | Workshop

At 715 South 50th Street in West Philadelphia, Wheelthrowing 101: Saturday Mornings WAITLIST offers a focused introduction to throwing clay on the wheel. Over eight Saturday mornings (June 6–July 25, 9:00–12:00), Instructor Natalie Avery guides up to ten students through centering, pulling walls, trimming, glazing, and the rhythms of studio life. This is a hands-on, communal class tailored for beginners (ages 16+), conducted in a wheelchair-accessible space where 25 pounds of clay, all tools, firing, glazes, and one open-studio session are included in tuition.

The studio experience is tactile and straightforward: you’ll sit at a pottery wheel, learn to center a lump of gray or brown clay, coax it into bowls and cylinders, and see pieces come out of the kiln transformed. Key features: the wheel work station, the glaze bench, and a community kiln firing schedule that turns soft clay into durable tableware. Expect a steady flow of technical coaching from Natalie, demonstrations, and guided practice time. Class size is intentionally small—ten students—so instructors can give personal feedback.

Joining the waitlist is the first step; it does not guarantee enrollment but places you in line when a spot opens. Email [email protected] with questions. The meeting point is the studio address above; travel by bike or transit is common in this neighborhood, and the space is accessible for wheelchair users.

This course stands out in Philadelphia’s active craft scene because it pairs beginner-friendly instruction with a full production workflow: you make, glaze, and fire within the same local studio. The included 25-pound clay allotment and free open studio session make it practical for students who want to continue practicing between classes. The class connects makers—students leave not only with pieces but with the know-how to join future sessions or book studio time.

Practical notes: minimum age 16, group capped at ten, gloves optional, and additional clay can be purchased on the studio’s website. The waitlist structure is flexible—if you accept a spot, the class runs for the eight-week session; if not, you remain free to decline.

For visitors planning an art-focused weekend in Philadelphia, pairing this course with local museums or West Philly galleries deepens the experience. Whether you imagine forming your first bowl or want to reset your hands, Wheelthrowing 101 delivers direct instruction, material support, and a compact path into clay that’s rooted in a friendly neighborhood studio.

Students often find the repetition meditative and the results immediate: trimmed rims, glazed finishes, and functional bowls ready for daily use. If a session opens from the waitlist, plan to commit the full morning—three hours of instruction plus time for personal practice—and keep an eye on the studio’s messaging for kiln schedules and pickup dates. Bring an apron and curiosity.