How do I join the class from the waitlist?

Sign up on the listed waitlist page; the studio will contact you if a spot opens. Joining the waitlist does not obligate you to enroll.

What are the session dates and times?

This Thursday-evening series runs September 24 - November 12, 6–9 pm over eight weeks.

Is there a minimum age?

Yes—participants must be at least 16 years old for this class.

How many students are in each class?

Group size is limited to ten students to keep instruction focused and hands-on.

Are materials and firing included?

Studio policies on materials and firing are handled by Black Hound Clay Studio South; email South@blackhoundclay.com for specifics.

What should I do if I can’t make a class after claiming a spot?

Contact the studio as soon as possible at South@blackhoundclay.com to free your slot and allow someone on the waitlist to join.

Spin Color and Clay: Evening Wheel-Throwing at Black Hound Clay Studio South

On a Thursday evening at Black Hound Clay Studio South, class begins with the hum of electric wheels and the telltale scent of wet clay. Located at 1701 Federal Street in South Philadelphia, this eight-week Color in Clay - Wheel series is led by Veronica Mehl, and it's an invitation to learn wheelthrowing and decorative glazing in a small, focused setting. The waitlist for this Thursday-evening session fills for good reason: ten students work side by side around studio wheels, exchanging tips while shaping bowls, mugs and vases on rotating slabs of damp earth. Inside the studio you'll find lined-up potter's wheels, a communal glaze bench, a kiln room visible through a safety door, and shelves for work-in-progress. The tactile experience—wet clay cooling between your hands, trimmings spiraling away—anchors what might otherwise be a purely visual craft. The class emphasizes color techniques as much as form; expect demonstrations on slips, underglazes, and layering that turn simple thrown pieces into bold, personal statements. Black Hound's South location occupies a former industrial stretch of Philadelphia where makers have converted old storefronts into creative workspaces, giving students a direct connection to the city's working-arts culture. Classes are practical: each three-hour evening combines instructor-led demos, hands-on time at the wheel, and guided glaze sessions. Group size is ten, which keeps feedback immediate and instruction individualized. The structure suits beginners and makers looking to refine their throwing and decorating vocabulary. You won't need prior experience: the instructor walks through centering, opening, pulling, and trimming, then shows color applications that respond to the forms you throw. Materials and firing policies are handled by the studio—email [email protected] for specifics or to ask about the waitlist. Why book this experience? It turns city nights into studio nights—an active, tactile alternative to a lecture or gallery visit. It’s also a gateway into Philadelphia’s close-knit ceramics community; finished pieces join a kiln schedule and return as tangible proof of progress. For travelers, this class offers a portable souvenir: a handmade cup or bowl that carries the mark of your hands. If you’re curious, sign up on the waitlist for the Thursday-evening series and be ready to claim a spot when it opens. Whether you’re learning clay for the first time or chasing a new color technique, Black Hound Clay Studio South offers focused instruction, a supportive group, and the kind of messy, rewarding practice that makes ceramics unforgettable. Instructor Veronica Mehl emphasizes craft-based problem solving and shows how color choices interact with form; her approach balances technical correction with creative freedom. Students leave with fired pieces and a clearer path for future projects, plus connections to a local network of makers and opportunities for drop-in studio time and guided critiques.