Do I need prior wheel experience to join?

This waitlist is specifically for intermediate students who already know basic centering and throwing; beginners should look for an introductory class.

How do I know if a spot opens?

The studio contacts waitlist members by email—keep an eye on the address you used to sign up and respond quickly to claim a spot.

What is the minimum age?

The course minimum age is 16 years old as listed on the class page.

Are materials and firing included?

The listing does not specify materials or firing details; contact South@blackhoundclay.com to confirm what the fee covers.

What should I bring to my first class?

Bring a notebook, an old towel, an apron or old clothes, and any personal tools if you prefer—basic studio tools and wheels are provided.

Can I make larger work during the course?

The instructor will coach scaling strategies, but larger work depends on wheel capacity, kiln size, and time—ask Lauren Rider during class for guidance.

South Philly Skill-Up: Intermediate Wheelthrowing at Black Hound Clay Studio South

On a Monday morning in South Philadelphia, Black Hound Clay Studio South at 1701 Federal Street fills with the focused, tactile energy of a room full of potters. This waitlist entry is for Next Level — Intermediate Wheelthrowing: Monday Mornings, an eight‑week series (September 21–November 9) that meets 10 am–1 pm and accepts up to twelve students aged sixteen and older. Instructor Lauren Rider leads focused drills that emphasize centering, opening, wall pulling, trimming, and finishing—skills that help an intermediate thrower make taller forms, consistent cylinders, and smoother rims. Inside the studio you’ll find a bank of electric wheels, a glazing bench, drying shelves, hand tools, and electric kilns—the practical equipment that turns soft clay into durable ceramics. Key features of the class are hands‑on coaching, individualized chases on problem pieces, and the rhythm of shared studio time where students learn from each other’s errors as much as their successes. The setting at 1701 Federal Street is straightforward and workmanlike: exposed concrete floors and brick, easy-to-clean surfaces, and a bench culture rooted in practice rather than polish. What makes this offering unique in Philadelphia is its urban craft focus: a neighborhood studio that channels practical skills, peer critique, and a schedule friendly to commuters and local makers. Students on the waitlist should expect unpredictable openings; signing up does not guarantee a spot but it does put you in line for email notification should a seat become available. Practical bits: bring a notebook for measurements and trimming plans, wear old clothes or an apron, and be prepared to handle medium‑weight stoneware or porcelain clay bodies commonly used in community studios. The course tempo—three hours per week over eight weeks—lets students practice between sessions and return with questions, and the small group size allows Lauren Rider to tailor technical corrections. If you have questions about timing or the waitlist process, contact the studio at [email protected]; the email is listed on the class page and used for notifications. For visitors to Philadelphia, the class provides an inside look at the city’s active maker community and a practical, hands‑on souvenir: the learning, a finished vessel, and the confidence to keep throwing. Black Hound Clay Studio South occupies a working stretch of Federal Street that favors craft over frills, so come ready to work, learn, and trade tips with fellow potters in a space built for practice. Enrollment moves quickly when a spot opens; join the waitlist, keep an eye on your inbox, and be ready to claim the seat that will let you transform technique into reliable form under Lauren Rider’s guidance. Studio details and registration are handled through the class page; for logistics or accommodations email [email protected] and plan three hours per session.