Who can book this workshop?

This session is for current Black Hound Clay Studio members only; non-members cannot book.

What condition should my piece be in?

Pieces should be bisque-fired and fully cooled; greenware is not suitable for sanding or grinding.

Yes—shared Dremels, grinding disks, and consumables are included in the workshop.

Is there an age minimum?

Age and safety requirements are managed by the studio; check your membership guidelines for any age restrictions.

How dusty is the class?

You should expect dust; the studio uses ventilation but bringing a respirator or dust mask is recommended.

Can I repair cracks or major damage in this session?

Instructors will assess repairs; small touch-ups and cleanup are suited to the workshop, while major restorations may require extra time or a separate appointment.

Members Sanding and Kiln Clinic at Black Hound Clay Studio, Philadelphia | Workshop

Black Hound Clay Studio in Philadelphia offers a focused, members-only sanding and kiln-cleaning workshop that pulls back the curtain on what happens after the wheel stops. Located in Philadelphia (address not provided), this one-hour session teaches safe use of the studio’s Dremel tools, grinding disk and electric kilns, with an emphasis on techniques that refine bottoms, remove glaze drips, and prepare pots for atmospheric firing. If you’ve ever wondered how a raw bisque becomes a gallery-ready piece, this class answers those technical questions with hands-on practice and shop talk.

The room itself centers on its utilities: worktables scarred by years of trimming, a bank of electric kilns that hum in the background, and a tool wall stocked with rotary polishers and grinding disks. Key features of the experience are practical: learning the mechanical rhythm of a Dremel, understanding how different abrasive wheels interact with stoneware and porcelain, and recognizing the telltale signs of over-firing or glaze crawl. Unique to the studio’s approach is the explicit link to atmospheric firing—techniques here address how to preserve surface effects created by smoke, salt, and saggar methods while still producing clean, functional bases.

Instructors assume members bring pieces they care about; the workshop includes all shared tools and consumables, and instructors will assess repairs or touch-ups during class. This makes it a standout offering for ceramists working in Philadelphia’s active craft scene—an urban workshop focused less on form and more on finishing and repair, skills often learned piecemeal elsewhere. The session’s short duration concentrates information: one hour of demonstration, followed by hands-on sanding under supervision.

Practical notes: the workshop is current-members-only; check your membership status before booking. Bring work that is bisque-fired and cool; greenware is not suitable for aggressive grinding. Expect dust—shop ventilation and a dust mask are recommended. Philadelphia’s craft tradition gives context: a long-running community of studios and co-ops supports makers across the city, and Black Hound Clay carves a niche by prioritizing technical finishing skills.

Whether you’re repairing a favorite mug, cleaning a kiln-spattered platter, or refining bottoms for gallery presentation, this clinic is a compact, skill-forward investment. It’s particularly useful for potters preparing work for atmospheric firings, or for those who want safer, repeatable techniques for using high-speed rotary tools. In one hour you’ll leave with cleaner surfaces, safer tool habits, and a clearer plan for finishing future bodies of work. Members often follow this clinic with scheduled kiln pulls and peer critiques offered by the studio during open shop hours; instructors can advise on firing schedules, glaze compatibility and packing strategies to protect refined bottoms in transit. Bring photos of past firings and notes on clay bodies to make the session immediately actionable and tailored to your practice.