What is the minimum age to participate?

Students must be at least 16 years old to enroll in this class.

Do I need prior experience?

Yes. All students should have taken at least one beginning-level handbuilding class before registering.

What does tuition include?

Tuition covers instruction, tools, glazes, firing, and 25 pounds of clay; one free open studio session is also included.

Is the studio wheelchair accessible?

Yes. Black Hound Clay Studio West lists wheelchair accessibility for this location.

How large is the class?

Class size is capped at 10 people to ensure individualized attention.

Who do I contact with questions or to review the class guide?

Email west@blackhoundclay.com and review the studio's "What to Know" Guide at blackhoundclaywest.com before your first meeting.

Independent Handbuilding Evenings at Black Hound Clay Studio West | Workshop

Black Hound Clay Studio West hosts Independent Projects - Handbuilding: Tuesday Evenings, an eight-week workshop in West Philadelphia for students ready to move beyond basics. The class meets Tuesdays, March 31–May 19, 6–9 pm at 715 South 50th Street. Taught by Corinna Cowles, this small-group, instructor-supported session gives intermediate and advanced handbuilders space to pursue personal projects while accessing demonstrations, glazing facilities, and kiln firings. The studio's compact workspace emphasizes process over spectacle: benches for slab and coil work, a full glazing station, and the studio kilns that turn raw clay into finished objects. Students receive 25 pounds of clay, tools, glazes, and firing included in tuition; one free open studio is also part of the package. With a ten-person cap the pace stays deliberate—ideal for makers who want to scale up pieces, refine surface decoration, or troubleshoot persistent construction challenges. A clear prerequisite sets expectations: participants should have completed at least one beginning-level handbuilding class and arrive prepared with project goals. Corinna Cowles balances individual coaching with targeted demonstrations on techniques like building larger forms, surface design, and advanced glazing. The format favors experimentation: bring sketches, samples, or reference pieces and use the instructor’s demonstrations on request. Accessibility and logistics matter: the studio lists wheelchair access and welcomes students aged 16 and older. If you’re coming from outside the city, West Philadelphia offers straightforward transit links to Center City and SEPTA connections; visitors often base themselves in Philadelphia for restaurants and transit while using the studio as a purpose-driven destination. Why choose this class? Independent Projects is less about following a set curriculum and more about guided autonomy. For potters who want to solve problems in real-time—warped slabs, uneven joins, glaze fit—having an experienced instructor plus a well-equipped studio can save months of trial and error. It’s also a social setting: sharing bench space with fellow makers accelerates creative breakthroughs and introduces techniques you might not encounter working alone. Practical notes: bring personal notes, a project plan, and a willingness to test new approaches. The studio offers installment payment plans for early registrants; contact [email protected] for questions and review the class guide before your first meeting. Whether you’re building a signature bowl, a set of servingware, or experimenting with scale, this series turns weekday evenings into focused craft time within Philadelphia’s active ceramic community. Expect a rhythm of making: build, dry, refine, glaze, and fire—each step guided by instructor feedback and studio staff. Finished pieces are kiln-fired in the studio and returned after cooling; glazing demonstrations knit technical know-how to personal aesthetics. For visiting artists, the class doubles as an introduction to Philadelphia’s broader ceramics scene, linking students to weekend markets, open studios, and local galleries and craft collectives.