Turn molten color into a hand-blown ornament in a 90-minute studio session led by Chihuly-trained artist Conrad Williams. Perfect for beginners and kids 6+, the class teaches basic tools, blowing technique, and color selection with finished pieces available for next-day pick-up.
Turn molten color into a hand-blown ornament in a 90-minute studio session led by Chihuly-trained artist Conrad Williams. Perfect for beginners and kids 6+, the class teaches basic tools, blowing technique, and color selection with finished pieces available for next-day pick-up.
You step off the street into a small studio where heat and color meet — the furnace humming like a restrained engine, glass glowing orange at the end of a blowpipe. The Gulf light filters in through a shop window and the instructor, Conrad Williams — trained by Dale Chihuly — moves with practiced economy, handing you tools and a choice of colors.
Verified experiences and guided adventures in the surrounding area.
Operated by Glassblowing in the Garden · Naples, Florida
You step off the street into a small studio where heat and color meet — the furnace humming like a restrained engine, glass glowing orange at the end of a blowpipe. The Gulf light filters in through a shop window and the instructor, Conrad Williams — trained by Dale Chihuly — moves with practiced economy, handing you tools and a choice of colors.
Glassblowing is an ancient craft that found new life in American studio art in the 20th century; Williams carries that lineage into a compact Naples workspace where contemporary collectors and holiday-makers both stop by. Geologically, Naples sits on Pleistocene limestone and mangrove-lined coastlines; it’s a low, bright place whose light makes color read differently than inland. Local culture skews toward curated craft and coastal living — expect nearby galleries and small studios that serve both residents and seasonal visitors.
In the 90-minute lesson (1–1.5 hours officially), students learn tool names, gather molten glass, shape and blow a small ornament, and select color schemes. Lessons accommodate beginners and children aged 6+, with up to four participants per session and full wheelchair access. Finished pieces are cooled in a kiln and available for pick-up the following day.
Practical tips: wear closed-toe shoes and long pants, arrive a few minutes early to park on the studio’s quiet offshoot of Yucca Road, and leave room in your schedule for kiln pick-up. The studio supplies all materials; bring a camera but keep a safe distance during the hotwork. This hands-on session is concise, tactile, and ideal for anyone who wants to witness the moment glass takes breath and form.
easy.
1–1.5 hours.
Suitable for all fitness levels; students should be able to stand for short periods and follow safety instructions
No experience required—this class is designed for beginners and provides hands-on instruction throughout the process.
Students must be at least 6 years old; guardians should consider maturity and ability to follow safety instructions.
Finished pieces are annealed overnight and are available for pick-up the following day; plan accordingly or ask about shipping options.
Yes—facilities and surfaces are wheelchair accessible. Contact the host ahead of time for any special arrangements.
Conrad Williams studied under Dale Chihuly, bringing studio glass techniques from the American studio glass movement to the Naples arts scene.
The studio minimizes waste through careful material use and annealing practices; visitors are encouraged to support local arts and coastal conservation efforts that protect the Gulf environment.
Glassblowing in the Garden operates guided outdoor trips and adventures with an emphasis on safety, stewardship, and memorable experiences.



You step off the street into a small studio where heat and color meet — the furnace humming like a restrained engine, glass glowing orange at the end of a blowpipe. The Gulf light filters in through a shop window and the instructor, Conrad Williams — trained by Dale Chihuly — moves with practiced economy, handing you tools and a choice of colors.
You step off the street into a small studio where heat and color meet — the furnace humming like a restrained engine, glass glowing orange at the end of a blowpipe. The Gulf light filters in through a shop window and the instructor, Conrad Williams — trained by Dale Chihuly — moves with practiced economy, handing you tools and a choice of colors.
Glassblowing is an ancient craft that found new life in American studio art in the 20th century; Williams carries that lineage into a compact Naples workspace where contemporary collectors and holiday-makers both stop by. Geologically, Naples sits on Pleistocene limestone and mangrove-lined coastlines; it’s a low, bright place whose light makes color read differently than inland. Local culture skews toward curated craft and coastal living — expect nearby galleries and small studios that serve both residents and seasonal visitors.
In the 90-minute lesson (1–1.5 hours officially), students learn tool names, gather molten glass, shape and blow a small ornament, and select color schemes. Lessons accommodate beginners and children aged 6+, with up to four participants per session and full wheelchair access. Finished pieces are cooled in a kiln and available for pick-up the following day.
Practical tips: wear closed-toe shoes and long pants, arrive a few minutes early to park on the studio’s quiet offshoot of Yucca Road, and leave room in your schedule for kiln pick-up. The studio supplies all materials; bring a camera but keep a safe distance during the hotwork. This hands-on session is concise, tactile, and ideal for anyone who wants to witness the moment glass takes breath and form.