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A compact, uncompromising psychological thriller from Steppenwolf lands on Broadway. This practical guide covers what to expect — running time, phone-free policy, accessibility and tips for arriving prepared.
A compact, uncompromising psychological thriller from Steppenwolf lands on Broadway. This practical guide covers what to expect — running time, phone-free policy, accessibility and tips for arriving prepared.
You take your seat as the house lights dim and the theater exhales — a handful of whispered breaths settling into the red-velvet rows. Phones are powered down and locked away in Yondr pouches, the hush reinforced by a collective readiness; the stage is a seedy Oklahoma motel room waiting to tilt.
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Operated by Broadway Inbound · New York, NY
You take your seat as the house lights dim and the theater exhales — a handful of whispered breaths settling into the red-velvet rows. Phones are powered down and locked away in Yondr pouches, the hush reinforced by a collective readiness; the stage is a seedy Oklahoma motel room waiting to tilt.
Bug arrives on Broadway from Steppenwolf Theatre Company with playwright Tracy Letts and director David Cromer steering a compact, intense production featuring Carrie Coon and Namir Smallwood. The play’s pressure builds quickly: an intimate romance that slides into paranoia, conspiracy and delusion. On Broadway, a venue’s centuries of theatrical craft meet Midwestern grit — Chicago’s Steppenwolf bringing its raw, character-driven approach to Manhattan’s long-running tradition of professional theater.
Broadway itself is the product of rapid 19th- and 20th-century urban growth; the theater district clusters around Times Square and Shubert Alley, streets worn smooth by millions of footsteps. Culture here moves fast—tickets change hands, shows open and close, and audiences become part of the performance’s atmosphere.
Practical notes: the performance runs about 115 minutes; tickets are delivered as a URL ticket and must be displayed on arrival. Late seating is at theater discretion, and the show enforces strict content and age advisories (recommended 14+; children under 4 not admitted). Accessibility seating is available if arranged in advance. Arrive early to pick up your Yondr pouch, use public transit to avoid slow taxi lines, and plan for tight seating and strong sound levels—ear sensitivity and intense themes are common.
Bug on Broadway is compact, uncompromising theater; come prepared to be absorbed.
easy.
Approximately 115 minutes (1 hour 55 minutes).
No special fitness required — typical indoor seating and minimal mobility demands, though long periods seated are expected
Tickets are emailed as a URL ticket from [email protected]; due to fraud prevention delivery may be delayed but will arrive no later than two weeks before the performance.
Late seating is at the discretion of theater management and may require waiting for a suitable pause; arriving early is recommended to avoid missing acts.
Most Broadway theaters restrict children under 4; this production is recommended for ages 14 and up due to mature themes.
Yes—accessible seating is available but should be requested in advance by contacting customer service to confirm availability.
Broadway’s theater district coalesced in the late 19th and early 20th centuries around Times Square; Steppenwolf, founded in Chicago in 1974, brings a Midwestern ensemble tradition to Manhattan stages.
Choose public transit to lower your carbon footprint; theaters increasingly use paperless ticketing and staff enforce policies that reduce disruptions and protect performers.
Broadway Inbound operates guided outdoor trips and adventures with an emphasis on safety, stewardship, and memorable experiences.
You take your seat as the house lights dim and the theater exhales — a handful of whispered breaths settling into the red-velvet rows. Phones are powered down and locked away in Yondr pouches, the hush reinforced by a collective readiness; the stage is a seedy Oklahoma motel room waiting to tilt.
You take your seat as the house lights dim and the theater exhales — a handful of whispered breaths settling into the red-velvet rows. Phones are powered down and locked away in Yondr pouches, the hush reinforced by a collective readiness; the stage is a seedy Oklahoma motel room waiting to tilt.
Bug arrives on Broadway from Steppenwolf Theatre Company with playwright Tracy Letts and director David Cromer steering a compact, intense production featuring Carrie Coon and Namir Smallwood. The play’s pressure builds quickly: an intimate romance that slides into paranoia, conspiracy and delusion. On Broadway, a venue’s centuries of theatrical craft meet Midwestern grit — Chicago’s Steppenwolf bringing its raw, character-driven approach to Manhattan’s long-running tradition of professional theater.
Broadway itself is the product of rapid 19th- and 20th-century urban growth; the theater district clusters around Times Square and Shubert Alley, streets worn smooth by millions of footsteps. Culture here moves fast—tickets change hands, shows open and close, and audiences become part of the performance’s atmosphere.
Practical notes: the performance runs about 115 minutes; tickets are delivered as a URL ticket and must be displayed on arrival. Late seating is at theater discretion, and the show enforces strict content and age advisories (recommended 14+; children under 4 not admitted). Accessibility seating is available if arranged in advance. Arrive early to pick up your Yondr pouch, use public transit to avoid slow taxi lines, and plan for tight seating and strong sound levels—ear sensitivity and intense themes are common.
Bug on Broadway is compact, uncompromising theater; come prepared to be absorbed.